This is the movie on love and capitalism that Godard wishes he could make, a documentary on people who work at host clubs in Japan and their clients. It questions the price of happiness and the cost of dreams of love. The hyperreal can be seen everyday at Rakkyo Café.
I will attempt to post on Mondays at 3:00PM Eastern Standard Time (US).
Rules
Each screenshot is worth 1 point and naming the connection between the two films is an additional 1 point (3 points). Also, the first 7 people to answer all correctly will get an extra point (4 total points possible). I will make the connections simple and warn you if it is tricky.
Submit your answers using the comments; it will be set it to need administrative approval so that other people cannot see your answers. I will post the top ten point leaders in the following week's screenshot quiz (if you want me to pimp your blog or link to your site/works by your name, just say so in your comment).
Please use yourself as the only resource to answering the quiz--no Internet searches (honor system); if you really want help, you can look into the soul of the person next to you.
Week 1:
01
02
Since this is the inaugural post and to let you know what to expect, I will give a hint.
Hint: Person [an additional hint for the connection after the jump...]
I was sad to learn that this beautiful film never opened in American theaters.* After losing his wife, Firth moves his family to Italy—together: they cope with their loss; individually: the younger daughter is haunted by the car accident, the older sister faces adolescence, and the father starts fresh.
*but was released on DVD following Colin Firth’s Oscar win in April 2011.
Additional Observations (cheating): Marcel Zyskind’s images are nothing short of amazing. Thematically and visually, I was reminded of Keislowski’s Blue and Guadagnino’s I Am Love—the scenes at the beach are like the ones in Eric Rohmer’s films (even Keener looks like Marie Rivière).
But if I were still in high school, you would make it to the Top 25 with ease.
The video up top (Fox Sports promo?) is an awesome homage to Swingers, directed by Doug Liman and written by Jon Favreau. I just looked up the bluray release--and it's next week. Recommendation: Must Buy!
Before I learned to use the phrase “It’s like an Ozu film,” I had to string together words like simple, classic, beautiful, and grace; mention themes of life/change and tradition/modernity; and improperly use nouns such as humanity, everyday, and harmony as adjectives. As I struggled to find a response to a fellow film geek’s review of Tokyo Story, I started watching the film without subtitles—initially on accident—and I realized just how much visual depth and textures (without the distraction of subtitles) were captured by Ozu’s camera. His films are obvious, told simply and clearly—their methods of storytelling don't obscure its themes so that the audience feels smart for figuring out its meaning (through gimmicks that feign complexity).
Tokyo Story is art at its most humane. It explores the generational gap between parents and their grown-up children. Now adults, the children find themselves too busy with their own lives to properly mind their parents who have come a long way to visit them. Ozu’s films are timeless, not because their stories feel like they could happen today (although, that is also true) but rather they are timeless because it makes the viewer feel as one of their time.
Enjoy: Sense of Cinema on Yasujiro Ozu and articles by Roger Ebert, The Great Movies and on Ozu. The 4-minute (Criterion Collection) trailer and more screens after the jump...
The Awards/Prizes (trophies/badges/avatars) can be used as icons or pics in forums, facebook, etc. These were created by Neil Posis, he's a an artist that specializes in painting, comic books, and caricatures. I served as the backseat art director/reference provider.
Please take (save to your computer) the appropriate awards that you have earned. Like in the scoring, we are going by the honor system.
For example: If you scored 100 points, you win the Griffith Award and get to also have the awards/trophies that your points cover--including the Orson and the Eisenstein awards.
The Orson [Welles]: 54 and below The Eisenstein: 55-84 points The Griffith: 85-108 points The Murnau (Sunrise prize): 109-126 points The Méliès (Moon prize): 127-144 points The Lumières Brothers: 145-156 points The Louis Le Prince: 157-166 points
Revision: Added small versions of the awards to use as forum or profile pictures at the bottom.
O Brother, Where Art Thou? (Coen), Memento (Nolan), Dazed and Confused (Linklater)
* I'm mostly sure this is according to how much I like the director, not by movie. To qualify for this list, I needed to have seen at least half of the director's body of work. Orson Welles should be on this list, but I need to see/rewatch more of his films past The Magnificent Ambersons. Sadly, I didn't consider Nicholas Ray, John Ford, and John Cassavetes for similar reasons.
** I am claiming Hitchcock for the US.
*** I have not seen his latest, The Tree of Life.
**** Yes, I snubbed Sunset Boulevard and Some Like It Hot for this.
When the blind girl realizes that she is being deceived, she smiles—someone has gone to great lengths to make her believe she’s a massage therapist at a fancy hotel. This great movie makes me want to thank all the filmmakers who have helped me find happiness in the dark.